This room includes the work of a series of artists who use photography and digital printing to produce works that aim to be constructed and experienced in the same way as paintings. We find this aim in the piece by Thomas Ruff entitled Substrat 29 I (2006), in which he seeks abstraction through photography, in Andreas Gursky’s iconic large-scale work Nha Trang (2004), where all the elements appear clearly focused, in Idris Khan’s Lost Happiness, in which he superimposes musical scores, and in Antonio Girbés’s work, where he creates a new architecture from a detail of the Forbidden City in Beijing.
Room 14
(PS)
